May 11

Gender Reel and Philadelphia Trans-Health Conference take Philly by storm!

On Thursday, May 31, 2012 the Philadelphia Trans-Health Conference will host it's first annual Gender Reel mini film festival.

The free mini film fest will take place the first night of the conference from 7-8:30 pm in Room 103A. The primary goal of this years mini film festival is to give PTHC attendees a chance to experience the types of amazing films the Gender Reel Festival supports and shows at it's annual event in Sept.

This years mini film festival will premier three amazing films about gender non-conforming and transgender activists: Envisioning Justice, Against the Grain and Changing Houses. Q & A's with Envisioning Juctice's Pauline Park and Against the Grain OluSeyi O. Adebanjo

will immediately follow the screening. However, attending the mini filim fest is not the only way folks can get a taste of what Gender Reel has to offer. 

Later that night, GR will host it's 2nd Annual "Still Coming Out," fundraiser at Tabu (200 S 12th Street) from 10 pm-2 am. Last years fundraiser was a huge success and we are hoping to do it again this year. 

At the beginning of the event, Ryan Sallans will be reading from his new book, "Second Son," followed by four amazing performances by Ryan Cassata, Wordz the Poet Emcee, Geppeta, Katastrophe ""and Dynasty (our MC). Mix and mingle and dance music by Gender Reel's very own DJ Sara Sherr to follow performances. Cover: $5 to $10.

Apr 05

Gender and Cultural Identity intersect in Puerto Rico

Living outside the binary is not an easy task especially for transexual and drag queens living in the Commonwealth of Puerto Rico. MALA MALA: A Transformative Puerto Rican Documentary, takes a thought-provoking look at the places where gender identity and cultural identity intersect, while capturing the search for selfhood and the love shared between friends. 

Additionally, the film looks at Trans/homo/queer phobia issue in Puerto Rico. Over the last four years, there have been over two dozen documented hate crimes committed against gay and transgendered people in Puerto Rico alone. In 2011, just months after the U.S. Department of Justice released a report which highlighted the under-documentation of hate crimes on the island, Puerto Rico's legislature introduced measures that would remove protections from their existing hate crimes law for people based on sexual orientation and gender identity.

Gender Reel Chair Joe Ippolito had the pleasure of talking with Filmmakers Dan Sickles & Antonio Santini about the documentary: 

Interview:

Joe: "What inspired you to make this film?"

Dan: "During a trip to Austin last year for a film festival we had a film screening in, we stumbled upon a drag show and watched it play out. We became drawn to this one trans female who ended up losing the competition and getting kicked out that night.  Her name was Maggie McMuffins and she ended up inviting us over to her house in Northern Austin, where we met her and her family. We met her 3 months into her male-to-female transition, amidst a difficult divorce from her former wife, and a beautiful 9 year old daughter to take care. Soon after, Antonio found out a former high school classmate from Puerto Rico, Jason, was a now April, the queen of drag queens in San Juan, so we had a hunch there were more stories like Maggie’s that we needed to tell. We realized that gender reassignment was a lonely and difficult journey that thousands of people embarked on every year. We wanted those people to realize they weren’t alone and we wanted to share, on screen, this process and every person who is a part of it, whether straight, gay, or trans."

Joe: "Since the onset of making this film, what is one of the most profound things you have learned about trans youth living in Puerto Rico?"

Dan: "The two most important lessons we've learned through this filmmaking journey are the importance of community and of being yourself. Drag queens literally recreate a family dynamic to support each other.  They each have a role within their family unit. Together they form an imagined family that is very much as real as any biological family. And of course, after hearing Samantha’s struggle with her dad’s acceptance and her courage to transition, and after watching the girls from The Doll House drag family go on stage every night fearlessly, we knew ever double-guessing ourselves was no longer an option. You are who you are and at the same you always have the opportunity to evolve into the best person you can and desire to be."

Joe: "How do you plan to use the film to educate others about the experiences of trans youth?"

Dan: "There’s been too many times in all of these boys & girls lives where they’ve been told that they’re ugly, or that because they break convention, they’re less than perfect, or going to hell, or some other lie made up to instill fear in those that choose to be bold. The members of this community are testaments that being true to your identity is not that scary.  That, not lying to yourself and others about who you are and who you want to be is not the end of the world. It’s growth, it’s life. We plan to use this film its stories to educate others to feel the same: to take off their masks and put on their wigs."

Support for the making of this film is still needed, so please consider donating today through their  Kickstarter account: http://www.kickstarter.com/projects/1542010154/mala-mala-a-transformative-puerto-rican-documentar

 

Apr 04

Gender Reel loves “Second Son” by Ryan Sallans

In the upcoming book, Second Son: Transitioning Toward my Destiny, Love and Life, author Ryan Sallans discusses transitioning and the struggles he encountered as an out Midwestern transman.
 
Ryan, who began his transition from female-to-male in 2005, travels the nation speaking to professionals, college audiences, and youth. Ryan has been featured in magazines around the world. He shares his story about his struggle with an eating disorder and how he came to terms with his gender identity. In addition to writing "Second Son: Transitioning Toward my Destiny, Love and Life," Ryans work has been featured in Closer Magazine, the Salina Journal,The Reade and News Net Nebraska.

 

 

Interview:

Joe: "I understand you started writing "Second Son" about 5 years ago. What made you decide to write a book about your own experiences growing up and as a trans person?"

 
Ryan: "I've wanted to be a writer since I was twelve-years old. I remember pulling out our old typewriter and starting a story that I had titled, The Green Emerald (which was basically a two-page knock off of the movie Romancing the Stone. While in college, I rediscovered my love for writing, and received a BA in Anthropology/English and then went on for a MA in English (before continuing on for another MA in educational psychology). During my six years of studying literature and writing I was always drawn more toward fiction; non-fiction is pretty restrictive, since you are retelling events from your memory. But after I began my transition and started public speaking on the topic, I realized that sharing my story through written-word is just another avenue for educating larger audiences. When the idea first came to my mind, I wanted to have it feel as personal as Loren Cameron's book, The Body Alchemy, but I also wanted a larger story threaded throughout. I knew my story would be different than a lot that we currently see because I am from the Heartland. Being a guy that lives in Nebraska, the state where Brandon Teena was murdered, I felt that perceptions around Nebraska needed to be changed and Heartland voices needed to be heard."
 
Joe: "What was the most challenging part of writing this book?"
 
Ryan: "There have been several challenges, but the most challenging is writing about events that happened where I was in the most despair. My eating disorder, my relationship with my parents and my relationship with my ex-girlfriend were hard to retell, partly because it brought up a lot of feelings I haven't had in a while, and also because I'm sharing very intimate details that I hope aren't misconstrued by readers."
 
Joe "What, so far, has been the most rewarding part of writing this book?"
 
Ryan: "After I signed on with a publisher, I finally felt I had permission to close myself off from everything and just write. One of the reasons it took me so long to complete the book is because I was always working two or three jobs to support my family, and also pay off all of my medical debt. Being able to be in a space where I didn't feel guilty for doing the one thing I love the most (being disconnected from everything, but the computer screen and the vast emptiness soon to be filled with where my typing took me) is amazing. After I get through this year, I hope to take on a new story and do the same thing."
 
Joe: "What message(s) do you hope readers will take away with them after reading this book?"
 
Ryan: "A message I always share in my presentations is that for anyone, no matter if you are transgender, the biggest challenge we have in life is honoring our truths, even if those truths go against everything we had been raised to believe or understand. I know that my story is my story, I'm not a spokesperson for the transgender community and my experiences look different than others, but I hope that the reader can feel along with me to develop a deeper sense of what it feels like to be utterly alone and scared, and then how empowering it is to push past the fear and toward acceptance."
 
Joe: "Finding a publisher can be very challenging for new writers. How did you go about this and what was the experience like?"
 
Ryan: "The publishing world has taken on so many new forms today, so it is very challenging. I have been very fortunate in life to have found my manger, Rosy, who helped me in reaching out to various publishing companies. I'm very happy with the company we signed on with and am excited to see what the future brings all of us. Working with a publisher, editor, and book designer is a great experience. I kept pinching myself over the course of this past year because everything I had dreamed about while tirelessly scribbling stories on my yellow, legal notepad (knowing they could be torn apart in my writing workshops) has been coming true. I approach nonfiction much like I would a fictional story, I want the readers to feel like they are simply reading a story where they can put themselves in my shoes."
 
Joe: What advice would you give to another new writer who is interested in writing and publishing a book?
 
Ryan: Number one, don't become discouraged! Number two, don't over think your story. If writing nonfiction, you need to keep details as true to your memory as possible, but don't let it keep you from remembering the small things around you, for example, the smell in the air, the feel of the leather couch you are sitting on while being told something that is life changing, or the little wrinkles you've never noticed on the face of someone across from you. Number three, read everything you write out loud, either to your dog, cat, loving partner, or friend. Reading out loud will help you catch errors and also notice where wording is choppy or sentences aren't meshing.
 
Joe: What upcoming plans are in store for the book (a book tour, community readings, etc.,)?
 
Ryan: "I have some book signings/readings already planned, people interested can follow me on my book's website: http://www.secondsonmemoir.com. I plan to pair my book with upcoming presentations that I give at Universities or while training professional staff interested in working with the transgender community. I also hope to bring in an art display of the photographs in the book and all the ones that were cut due to either space or flow."
 
Joe: "Now that you are done with the book what is the next step/phase in your career as a writer and diversity trainer?"
 
Ryan: "I plan to do some more outreach with national organizations and hopefully move into some other modes of educating audiences, like documentaries, etc. I also want to continue reaching out to healthcare agencies seeking help in implementing transgender healthcare services. I have extensive experience in training staff and writing healthcare modules, so I hope to put it to good use and increase the number of providers around the nation serving the LGBQIAP and transgender communities."
 
Second Son: Transitioning Toward My Destiny, Love and Life is available for pre-order and will also be available April 2nd, 2012 at Barnes & Noble, Amazon, Books-A-Million, Nook and Kindle!
 
You can catch Ryan reading from his book at Gender Reel's "Still Coming Out" fundraising party on 3/31 @ Tabu in Philadelphia. This event is being held the weekend of the Philadelphia Trans-Health Conference. Time: 10-2 am; Cover: $5 to $10.

 

 

 

 

 

 

 

 

 

 

Mar 17

The Wire Monkey is loose in Philadelphia!

The Wire Monkey is a musical and a story about hope and TRANSformation written and directed by Luke Allen. The play is also a story about spirituality, the search for ones true nature and finding one’s light in the darkest moments. It tells the story of a young Transman, named Sean, who comes into therapy because of anger issues. Sean was raised by a loveless mother and relates to “Harlow’s wire monkey” a subject of the love experiment in the late 50’s.

Dr. Sayre is a Psychologist and a TriYoga teacher. As the story progresses, “Doc” prepares Sean and alters for integration taking the positive aspect of each alter and renaming each one with a Hindu deity’s name. It is through the development of this therapy relationship, and Sean’s exposure to TriYoga that Sean begins to TRANSform and achieve integration.

Allen states, "as someone who has felt “other” much of my life, living with gender identity issues, trapped in this cage called my body, and recovering from the disease of alcoholism, one of my many wires, I felt the desire to write a play, using metaphor, to show an audience what it feels like to long for freedom, touch, love and community."

The Wire Monkey will premier on Friday, April 6 from 7-9 pm @

The Performance Garage

1515 Brandywine St.

Philadelphia, Pa. 19130

Tickets are $15.

 

Mar 12

2012 Submission Process starts March 15, 2012!!!

On March 15, 2012, Gender Reel's submission process opens!

All gender non-conforming, gender variant, transgender artists, filmmakers, photographers and performers and/or individuals (including non-GncGVTG people) creating work about gender non-conforming and transgender images and experiences are welcome to submit to our festival.

The 2012 submission process will conclude on June 15, 2012 and we expect this years festival to be even bigger and better than last years.

Individuals with questions regarding this years submission process and/or GR in general should be directed to genderreelfest@gmail.com.

 

 

Feb 25

Gender Reel gets Wayed in!

With over 200 people attending the first ever Gender Reel in September 2011, it became immediately clear to Organizers that the festival needed a larger venue. After looking at multiple spaces, Gender Reel Organizers decided to use the William Way Center.

The William Way Lesbian, Gay, Bisexual and Transgender Community Center was formed in 1996, when a group of community leaders came together with the goal of creating a stronger, more stable community center out of Penguin Place, the community center at the time.

After an extensive search, the Community Center purchased the former Engineers' Club of Philadelphia in March 1997. Soon after, renovations began, and the building opened to the public in July 1997. Since then, the Center has developed an array of programming and services that target LGBT groups, and community organizations have moved permanent offices into the Community Center. In addition, over 70 groups meet at the Community Center on a regular basis, and many more use the facility for special events. The building is open seven days a week and is currently used by over 2,500 people each month.

Over the next 7 months, Gender Reel Organizers will work with various William Way Center staff, volunteers and committee members to make Gender Reel 2012 bigger and better. Highlights to come include, but are not limited to: Additional film screenings, more art workshops, more performance art pieces and a free art gallery installation, which will be on display after the festival ends.

Gender Reel Organizers are very excited to work with the William Way Center in an effort to bring more visibility and inclusion to the LGBTQ community here in Philadelphia.
 

 

Feb 16

The film “Miss Representation” stimulates Philadelphia on March 8th.

 

On March 8, Stimulus Productions (one of Philadelphia's premier LGBTQ dance parties and organizations) will be hosting a screening of the ground-breaking documentary, Miss Representation, at William Way Community Center (1315 Spruce Street) in Philadelphia.

The film Miss Representation exposes how American youth are being sold the concept that women and girls’ value lies in their youth, beauty and sexuality. Stimulus is hosting this screening, at the start of women's history month, to spark a dynamic conversation about how misogyny and sexism in the media contribute to the under-representation of women in positions of power and influence in America. Ultimately, they hope that this will be the first of many steps to empower the women the thriving Philly LGBTQ community to unite and work to eradicate gender stereotypes and pervasive sexism throughout this country and the world.

Stimulus is collaborating with the William Way Community Center, Elements Organization, GALAEI, Delaware Valley Legacy Fund, Attic Youth Center, GO! – Philly Women Giving to Others, Stir Lounge, Sentry Art Advisory Services, Gender Reel and more!

Community sponsors will be present at the event to answer questions and distribute materials about their organizations.

$5-10 suggested donation We are excited for what is sure to be an amazing collection of energy, ideas and inspiration.

Check out the trailer: http://www.youtube.com/watch?v=6gkIiV6konY

Time: 6 pm-9 pm.

Nov 15

Gender Must Be Art

I’m a firm believer that everything happens for a reason.

 

Which is why I went to art school, concentrated in documentary video production, graduated into a terrible economy (not that the economy has ever been too kind to artists anyway), ended up working as a barista, got a job in my field then subsequently got laid off, worked as a barista again, came out as transgender, got involved with Gender Reel, and met my new coworker Mel, a TV producer-turned-actress/barista.  Which brings us to a dead evening at the café where I work, and the conversation Mel and I were having about art.

 

Given my indulgence of my life story in the last paragraph, you might surprised to find that I am going to leave out the gritty details of the conversation, but the conversation itself is not as important as the idea that I arrived at during our dialogue. There is one single, little sentence that escaped my lips and floated into the ether of the empty café that evening that I am still ruminating on, nearly a week later:
“Gender is too complicated to be explained properly in any way other than art.”

 

This is a profound idea that has been something I’ve known for a few years now, but until that evening in the café, the stars has not aligned to allow me to formulate the concept into a verbal reality. Now that it has been said, however, it is something that I completely understand with my entire being and soul.
 

When I first came out to myself as trans, I read literally over fourteen books on the subject of gender, and countless blogs and online journals. I immersed myself in heaps of information that enlightened me and gave me words to express myself, and to those authors I am thoroughly grateful for that, but that experience was lacking a “je ne sais quoi” that only art can provide.
 

I think I’ve realized that maybe gender simply cannot be explained. Perhaps it is something that can only be felt. Maybe it is too abstract, too complicated of a concept to really try and nail into a theory, concept or science. Maybe gender is not something you “are,” rather, something you “feel.”
 

There are lots of amazing performers, artists, photographers, and creative writers out there trying to capture this elusive beast. Sometimes they are able to, and when you experience their creative, abstract interpretation of what gender is, it can send shivers up your spine.
Most recently I watched a play here in Philadelphia called Act a Lady, put on by Philly’s Azuka theater. The play was about three men in a small town in the 1920’s who flirted with gender identity and it ended up consuming their reality and making them a little mad. The confusion and madness and inexplicableness of their sense of gender was something that I identified with, and their performance tugged at me and dared to possibly help explain my experience in a way that nothing outside of art has ever been able to do.

 

This is also what makes me proud of the work that Gender Reel is doing, in the little claim that we’ve staked in the art-meets-gender world.

 

Author R. Drew is a Philly-based artist and barista extraordinaire who is currently trying to raise money for his chest surgery. Please visit 7000peopleproject.org

Nov 12

CJ and the Dolls brings feminism, gender bending and body positivity to the dance floor!

Cabiria (CJ) Jones is at the forefront of the queer electro-pop music revolution.  She’s traveled the US and Europe with her soulful, emotional vocals, met with light, basic beats and a lo-fi appeal. CJ and the dolls and other Crunks Not Dead artists are redefining queer music as a platform for political and artistic expression.

CJ uses her music as a vehicle to for exploring gender. When asked about her experience being visibly gender non-conforming she laughed and said, “As long as I identified as a gay white male I had right… I’ve become more reclusive. I think a lot of gay men can’t place me. I don't throw my sexuality on the table. I don’t like to give people an answer about my sexuality. I can’t blame people for calling me stuff like brother or sir but stuff like that grates on me.  I don’t mind so much if you call me sir, but I mind that you assume based on what you see.”

CJ confidence on the stage challenges the audience to refine beauty, “[In Portland] I’ve been welcomed for being different.  People are just trying to size me up because I’m letting my hair show, I’m letting my fat rolls show, I’m letting my body show. It’s just a matter of them changing their minds to see that it’s actually beautiful. What I’m trying to present is unique. I’m pretty safe in that area in Portland. I’m probably harder than anybody else about my size.”

CJ’s community remains her muse. She emphasizes the importance of building community and being open to others.  She says, “I’ll keep myself visible and hopefully I’m a resource to everybody”. This embracing attitude is what shines through when CJ and the Dolls take to the stage.

CJ wants you to shake your booty on the dance floor. She takes a unique approach to mixing by keeping an eye to the body’s well being.  She says that “[Too often] the sound is mixed to get the volume as loud as they can. The result is that it physically exhausts your body. The sounds are way too extreme and loud. So when I mix, I try to be appreciative of that and that’s where I get that sound from”.  She wants you to be able to dance as long as you can!  She meets this sound with raw energy and biting femme esthetics. She’ll make you want to dance and she’ll make you feel that “it’s not about anything, just letting it all go.  It feels good and it feels safe”.  

You can learn more about CJ and the Dolls by clicking here: cjandthedolls.com

This article was written by Gender Reel Organizer Vega Darling.

 

Oct 20

“Flow Affair” Premier & Gender Reel Fundraiser

 

Flow Affair, the new documentary released by Art From The Heart Films premiers in Philadelphia on Friday, December 9, 2011. The films award-winning director Wolfgang Busch & Gender Reel are co-hosting this screening.

Flow Affair explores the evolution of dance by showcasing the emergence of "Floguing" – a breakthrough in dance that has only begun to show up at underground circuit parties and dance clubs, and in innovative dance choreography.

 “I am grateful that the community is supporting Flow Affair,” said Busch.  "We are revolutionizing dance."

In 2006, Busch, the director and producer of Flow Affair, brought together members from the House Ball community, the originators of the dance “Voguing,” and members from the Flagging community, the originators of the dance “Flagging” and “Fanning,” to create a new dance :  flagging  +  voguing  =  floguing.

At the House Ball's voguing competitions there is a dance category called voguing with a prop, where dancers sometimes use fabric and fans.  Introducing flags was the next step in the category's artistic progression.  Soon, dancers were "walking the runway" with flags, and, in the process, the new dance “Floguing” was created.

Prior to the Flow Affair screening Wolfgang will show a trailer from his 2006 award winning documentary, How Do I Look. Additionally, the screening will be followed up with a filmmaker Q&A and a floguing demonstration.

Screening Details:

Location: William Way Community Center (1315 Spruce Street, Philadelphia)

Date: 12/9/12

Time: 7-9 pm

Tickets: $10.00 a person.

*Popcorn and soda will be served.*

**Partial proceeds benefit Gender Reel 2012**

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